"The point signifies unity, the Origin and the Centre. It also represents the principles of manifestation and emanation, and hence in some mandalas the centre is not actually shown but must be imagined….There are two kinds of point to be considered: that which has no magnitude and is symbolic of creative virtue, and that which – as suggested by Raymond Lull in his 'Nova Geometria' – has the smallest conceivable or practicable magnitude and is a symbol of the principle of manifestation."
"Image: A pattern of forms and figures endowed with unity and significance. It is implied in the theory of form – and is true, also of melody – that the whole is greater than the sum of its parts being, in a sense, their origin and justification…..Also to be borne in mind is the thory propounded by Sir Herbert Read in 'Icon and Idea', according to which every creation in the visual arts – and, in fact, every kind of pattern – is a form of thought and therefore corresponds to an intelligible mental concept. This leads us towards an intuition of the world as a vast repertoire of signs that await being 'read'."
"A synthesis is the result of a thesis AND an antithesis. And true reality resides only in the synthesis."
"Neolithic thought was very close to the medieval in its conviction that an eternal and invisible essence underlies all appearances."
"The prototypes of the images and forms utilized by the oneirocritic, poetic and prophetic idioms, can be found around us in Nature, revealing herself as a world of materialized dream, as a prophetic language whose hieroglyphics are beings and forms." Franz P. Schubert (1797-1828), Austrian composer, 'Symbolik des Traumes'
"Alchemical evolution is epitomized in the formula 'Solve et Coagula' (Dissolve and Coagulate), that is to say: 'analyse all the elements in yourself, dissolve all that is inferior in you, even though you may break in doing so; then, with the strength acquired from the preceding operation, congeal.'"
"What Man saw in the grain, what he learnt in dealing with it, what he was taught by the example of seeds changing their form when they are in the ground, that was the decisive lesson….One of the main roots of soteriological optimism was the belief of prehistoric, agricultural mysticism that the dead, like seeds underground, can expect to return to life in a different form." Mircea Eliade, 'Tratado de historia de las religiones', Madrid, 1954
"One: Symbolic of being and of the revelation of the spiritual essence. It is the active principle which, broken into fragments, gives rise to multiplicity, and is to be equated with the mystic Centre, the Irradiating Point and the Supreme Power. It also stands for spiritual unity – the common basis between all beings."
"Symbolism is what might be called a magnetic force, drawing together phenomena which have the same rhythm and even allowing them to interchange."
"All things form at one and the same time an organic whole and a precise order."
"The whole is greater than the sum of its parts being, in a sense, their origin and justification."
"The sphere is a whole, and hence it underlies the symbolic significance of all those images which partake of this wholeness, from the idea of the mystic 'Centre' to that of the world and eternity, or , more particularly, of the world-soul. In neo-platonic philosophy, the soul is explicitly related to the shape of the sphere, and the substance of the soul is deposited as quintessence around the concentric spheres of the four Elements. The same is true of the primordial man of Plato's Timaeus….Another important association is that of perfection and felicity. The absence of corners and edges is analogous to the absence of inconveniences, difficulties, and obstacles."
"The symbology of philosophers, founders of religions and poets is wholly idealist and cosmic in direction, embracing all objects, seeking after the infinite and pointing to the mysteries of the mystical 'centre.'"
"All natural and cultural objects may be invested with a symbolic function which emphasizes their essential qualities in such a way that they lend themselves to spiritual interpretation."
"Nothing is isolated inside its own existence: everything is linked by a system of correspondences and assimilations." Mircea Eliade, 'Images and Symbols'
"The common origin of the human race is proved by the universal themes of folklore [and] legend….Orientalism, the study of comparative religion, mythology, cultural anthropology, the history of civilization and art, esotericism, psychoanalysis, and symbolological research have all combined to provide us with ample material to substantiate psychological truth, and this essential oneness."
"The idea of rotation is the keystone of most transcendent symbols: of the mediaeval 'Rota'; of the Wheel of Buddhist transformations; of the zodiacal cycle; of the myth of the Gemini; and of the 'opus' [work] of the alchemists. The idea of the world as a labyrinth or of life as a pilgrimage leads to the idea of the 'centre' as a symbol of the absolute goal of Man – Paradise regained….Pictorially, this central point is sometimes identified with the geometric centre of the symbolic circle."
"All centres are symbols of eternity, since time is the motion of the periphery of the wheel of phenomena rotating around the Aristotelian 'unmoved mover'."
"In cabalistic symbolism, the sacred palace, or the 'inner palace', is located at the junction of the six Directions of Space which, together with the centre, form a septenary... This concept of the Centre embraces the heart and the mind."
"In neo-platonic philosophy, the soul is explicitly related to the shape of the sphere."
"Psychoanalysts have noted that the joining of the square with the circle (in such forms as the star, the rose, the lotus, concentric circles, the circle with a visible central point, etc.) is symbolic of the final stage in the process of individuation, or, in other words, of that phase of spiritual development when imperfections (irregular shapes) have been eliminated…for the sake of concentrating upon the achievement of Oneness."
"Among the Chinese, the infinite being is frequently symbolized as a point of light with concentric circles spreading outwards from it."
"The symbol proper is a dynamic and polysymbolic reality, imbued with emotive and conceptual values: in other words, with true life."
"The mandla fulfils its function as an aid to man in his efforts to regroup all that is dispersed around a single axis."
"Point: The point signifies unity, the Origin and the Centre. It also represents the principles of manifestation and emanation….There are two kinds of point to be considered: that which has no magnitude and is symbolic of creative virtue, and that which – as suggested by Ramon Lull in his 'Nova Geometria' – has the smallest conceivable or practicable magnitude and is a symbol of the principle of manifestation. Moses deLeon defined the nature of the original Point as follows: 'This degree is the sum total of all subsequent mirrors, that is, of all external aspects related to this one degree. They proceed therefrom because of the mystery of the point, which is in itself an occult degree emanating from the mystery of the pure and awe-inspiring ether.'"